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34: Variations 1 to 40
40 Lessons -
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Optimized learning + Challenges
9 Lessons -
Master your bowing technique!
Enhance your skills in string crossings, whether slow or fast, slurs, various speeds, from frog to tip and everything in between.
Elevate your bowing proficiency and train your brain to adapt to different bowing styles for the same melody or fingering using Feuillard Daily Exercises, specifically number 34, along with accompanying practice tips and videos.
This training is structured in two chapters:
1. In the chapter you can progress sequentially from 1 to 40, or pick the variation you want to practice.
Each variation is presented in a single PDF with articulation details, and practice tips precede each variation. After reviewing the written material, you can watch the accompanying video and play along with the metronome.
2. The second chapter is an optimized learning approach, I grouped variations based on movements of the elbow, introducing biomechanics without delving into discussions about levers and forces. After each group (9 in total) you can take up on the recording challenge or move on to the next group.
Once you went through the 9 groups, you can play all the variations.
For all the cellists who enjoy a challenge, consider sharing a video of yourself playing each variation in the group or on your social media taking up on the Feuillard Hallenge #feuillard34rocks.
Ready? Go!
With years of experience both as a performer and an educator, Marianne has developed a unique approach to teaching that emphasizes proper technique and body alignment, ensuring that her students not only reach their best level but also play without risking injury. She has become a sought-after expert in the field, giving workshops and masterclasses on the subject to musicians and educators alike.
Alongside her teaching and research, Marianne continues to perform as a soloist and chamber musician, collaborating with other talented artists to bring classical music to audiences around the world. Her dedication to both performance and education has made her a respected figure in the music community, and her innovative approach to teaching has inspired countless students to pursue their own musical dreams.
In addition to her teaching and performing, Marianne Dumas is also an accomplished researcher, with a particular focus on the history and origins of the violoncello. Her research has delved into the musical and historical context of the Bach Cello Suites, as well as the various performance practices associated with them. Marianne's research has culminated in a highly acclaimed recording of the complete Bach Cello Suites on a full baroque set-up, which has been praised for its depth of expression and attention to detail.
Her dedication to both scholarship and performance has made her a respected figure in the classical music world, and her work continues to inspire and inform musicians around the globe.
In Addition to thé Cello Institute Online, Marianne teaches at the Bordeaux Conservatory in France.
© 2024 Cello Institute Online
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